论文部分内容阅读
目的对男性昆曲演员与未成为昆曲演员者变声期中嗓音声样之歌唱共振峰(singingformant,Fs)进行回顾性研究,对昆曲演员变声期与成年后Fs的动态对比,了解男性昆曲演员嗓音变化特点。方法1985—1986年对北方昆曲剧院学员班21例男性学员采集声样,并保留录音磁带至今。2000年对其中成为昆曲演员的7例再次采样,均输入计算机,进行嗓音分析,了解其Fs变化规律。结果成为昆曲演员的男学员变声期时国际音标中元音/a/声样均有Fs,且频带宽,声能强,未成为昆曲演员的学员则相反。昆曲演员14年前变声期的Fs与成年后相比,数值降低,采用配对t检验,t=2 9600,P<0 05,差异有统计学意义。结论演员Fs的有无,以及声能的强弱是衡量演员声乐水平的重要客观参数。
Objective To retrospectively analyze the singing formants (Fs) between male Kun opera actors and non-Kun opera actors during the vocal period, to analyze the dynamic changes of the Fs between the vocal and the adult Kun opera actors, and to understand the voice changes of male Kun opera actors . Methods From 1985 to 1986, 21 male students from the Kunqu Opera in the Northern Harmony Theater collected acoustic samples and kept the tapes until now. In 2000, among them, 7 of them became the Kunqu opera actors, and then they were all input to the computer for voice analysis to understand their Fs variation. Results As a male singer of a Kunqu opera, the vowels / a / acoustic samples in the international phonetic alphabet all have Fs, and the frequency band is wide and the sound energy is strong. The students who have not become Kunqu opera actresses instead. Fs in the vocal period of Kunqu opera 14 years ago was lower than that in adulthood. The paired t-test was used to determine the Fs, t = 29,600, P <0 05, and the difference was statistically significant. Conclusion The presence or absence of actor Fs, as well as the strength of the sound energy is an important objective measure of the vocal level of an actor.