在书法学习、研究、创作中,悟性是最关键的。所谓悟性,就是基于对天、地、身、物的体验,在灵魂深处所撞击出来的艺术火花。我以为书法创作有三个阶段:第一阶段:寻寻觅觅,刻意求是。书家在潜心研究前贤艺术经验,博览古今之后,寻求表达自己意象、性情的书法语言,寻找自己的“心线”。为创作理想的书法作品,试图在各种风格优秀的古代书法作品中寻求自己的出路,一般书家进入这一阶段已是难能可贵了。第二阶段:冲破传统,不断否定自我。在第一阶段,书家们总是强调笔笔有来历、笔笔不虚。传统的法度、程式既给书家以美的 In calligraphy learning, research, creation, understanding is the most crucial. The so-called understanding, is based on the experience of heaven, earth, body and object, the art of sparks hit in the depths of the soul. I think calligraphy creation has three stages: The first stage: looking for, seeking to seek. After studying the artistic experience of the predecessors, the book-makers seek the calligraphic language of expressing their own image and temperament after the exhibition of ancient and modern times and find their own “heart line”. In order to create ideal calligraphic works, trying to find its own way out in all kinds of ancient calligraphy with excellent style, it is commendable that ordinary calligraphers enter this stage. The second stage: break the tradition, continue to deny self. In the first phase, book writers always emphasized the origins of pen and pen, pen and notepad. The traditional method, the program both to the book artist to the United States