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我国历代的书画大家在创作之余,不断总结书画档案保护的方法,给后人留下了宝贵的科研理论和实践经验。本文拟以宋代米芾为典型例子,对古代档案装裱保护的经验做法略作管窥。米芾(1051-1107),字元章,北宋人,宋徽宗时诏为书画学博士,人称“米南宫”。米芾能诗文、擅书画、精鉴别,集书画家、鉴定家、收藏家于一身,且著述颇丰。米芾的档案保护思想集中体现在他的《画史》和《书史》中。米芾的《画史》,又名《米海岳画史》,约成书于1101年前后,是一部绘画鉴评作品;
All the paintings and calligraphies in ancient China have made their contribution to the continuous protection of calligraphy and painting archives, leaving valuable scientific research theories and practical experiences to future generations. This paper intends to use the typical example of rice in the Song dynasty, giving a glimpse of the experience of the installation of the ancient archives. Mi 芾 (1051-1107), the character chapter, the Northern Song Dynasty, Huizong emperor when the calligraphy and Painting Ph.D., known as “Minan Palace ”. Mi 芾 can poetry, good painting, fine identification, collectors and painters, appraisers, collectors in one, and the author quite good. Mi Yong’s archives protection thought is embodied in his “Painting History” and “Book History”. Mi Yue’s “Painting History”, also known as “Mihai Yuehua history”, about a book in about 1101, is a painting evaluation works;