问:每当有人问你感到最满意的作品是哪一部时,你总是说是《没有人给他写信的上校》。《一桩事先张扬的凶杀案》出版后你还这么认为吗?答:问题是,一个作家对他们的新作总像对他的小儿子一样偏爱。其实,我一直觉得,《没有人给他写信的上校》是我写得最好的作品。首先因为在这本书里我准确地达到了想达到的目的,就是说,这是一本完全符合我的愿望的书。你知道,对一个作家来讲,这一点很重要。《百年孤独》出版后,社会上对我喜欢的这本书仍然有一些反响和热情,但被《百年孤独》的读者的汹涌的浪潮淹没了。而《百年孤独》是应该加以研究的另一种现象。不过,我认为,《百年孤独》的容易阅读及其描述的题材的魅力也在很大程度上影响着作品的评价。不管怎样,我相信《没有人给他 Q: Whenever someone asks you which part of the work you are most satisfied with, you always say “no colonel who wrote to him.” Do you still think so after publication of a “published homicide?” The problem is that a writer always treats their new work as much as his younger son. In fact, I always felt that “nobody wrote to him Colonel” is my best written work. First of all, because in this book I have exactly achieved what I want to achieve, that is to say, it is a book that exactly matches my wishes. You know, it’s important for a writer. After the publication of “One Hundred Years of Solitude,” there was still some resentment and enthusiasm in the society about the book I liked, but it was overwhelmed by the tide of readers of “One Hundred Years of Solitude.” The “one hundred years of solitude” is another phenomenon that should be studied. However, I think that the ease of reading “Hundred Years of Solitude” and the charm of the subject matter it describes also affect the evaluation of the work to a great extent. Anyway, I believe "nobody gives it to him