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新世纪第一个十年,中国电影制作技术水准突飞猛进,中国电影在这个“高科技成果的低智能掌握、高端技术工艺的低技能运用”的后技术时代,其创作从崇尚技术的大片逐渐向以平民的姿态、讲述平民的故事、彰显平民魅力转变,在审美形式上,近期中国电影热衷于通过打破界限消除深度、带来审美的惊异和快感,以打造银幕内外集体狂欢的景观。然而《阿凡达》重新激起了中国电影人和观众对新技术的狂热,对3D立体电影的探索必将立刻展开。
In the first decade of the new century, the standard of Chinese filmmaking technology has been advancing by leaps and bounds. In the post-technological era of “low intelligence of high-tech achievements, low-skilled use of high-tech technology” Gradually to civilian attitude, about the story of civilians, highlighting the transformation of civilian charm, in the aesthetic form, the recent enthusiasm for the Chinese film by breaking the boundaries to eliminate depth, bringing the amazement and pleasure of aesthetics, to create a collective carnival inside and outside the screen landscape. However, “Avatar” has rekindled the fanatical enthusiasm of Chinese filmmakers and audiences for new technologies, and the exploration of 3D stereoscopic movies is bound to start immediately.