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“双重性体验”是我国著名戏曲导演艺术家阿甲先生提出的一个重要概念。戏曲演员既要体验人情物理的生活真实,又要体验程式歌舞的审美真实,将歌舞和生活相结合,达到以歌舞演故事的目的,实现程式意象之美的艺术效果。这给话剧影视形体教学中形神互动的观念以最贴切、生动的启示。无论从表演艺术规律,还是从美学价值与品质上理解,戏曲程式歌舞训练中的一些原则要求都可以直接运用到话剧影视表演的形体训练中去。后者应从前者中汲取精华,丰富形体表现的内涵。
“Duality Experience” is an important concept put forward by Mr. A Jia, a famous director of Chinese opera. The opera actors not only need to experience the real life of the human affairs and physics, but also experience the aesthetic reality of program and song and dance, combine the dance and life, and achieve the purpose of singing and dancing stories and realizing the artistic effect of the beauty of program images. This gives the most appropriate and vivid enlightenment to the idea of interaction between god and god in the teaching of drama, film and body. Whether from the law of performing arts or from the aesthetic value and quality understanding, some principles and requirements in opera program singing and dancing training can be directly applied to the physical training of drama and television shows. The latter should draw the essence from the former to enrich the connotation of physical performance.