在全球化的今天以及中国对外开放文化“走出去与走进来”的大战略背景下,翻译的地位日益重要。然而正是在这样的背景下,文学翻译自古以来所尊崇的“信、达、雅”或“忠实、通顺、美”等的标准或原则却备受争议与质疑,翻译界并由此衍生了一个新词“翻译文学”。本文将通过对威廉·莎士比亚(William Shakespeare)《十四行诗第29首》(Sonnet 29)不同译本进行赏析,浅谈文化走进来战略下文学翻译与翻译文学之对比。 In the context of globalization and the grand strategy of opening up and opening up to the outside world in China, the status of translation is becoming increasingly important. However, it is against this background that the standard or principle of “faith, dignity, grace” or “faithfulness, smoothness and beauty” respected by literary translation has been widely debated and questioned in the translation literary world This led to the creation of a new word, “Translated Literature.” In this essay, we will analyze the different versions of William Shakespeare’s sonnet 29 and discuss the contrast between literary translation and translation literature under the strategy of culture going in.