项祎的雕塑表现出新一代青年雕塑家在视觉文化的背景中,在与生活的世界和现实的问题保持密切的对话关系的同时,积极拓展视觉语言的表现方式,在观念和形式的双重努力中,逼近当代雕塑的前沿问题所取得的进展。他的一系列雕塑作品通过对阳光、阴影和绘画中明暗关系的借用,力图破除传统的三维造型和二维造型的壁垒,这种灵活而富于创造性的姿态,充分展现了视觉文化在当代社会所具有的活力和可能性。这些作品传递给人们一种新的视觉经验,这种经验证明了图像时代的艺术在新的视觉疆域的开拓中将会使未来 Xiang’s sculptures show that a new generation of young sculptors actively expand the way visual language is expressed and its dual efforts in concept and form while maintaining a close dialogue with the world of life and real problems in the context of visual culture. , Approaching the progress made by the front issues of contemporary sculpture. His series of sculptures, by borrowing light and shade from the sun, the shadows and paintings, seek to get rid of the traditional three-dimensional modeling and the barriers of two-dimensional modeling. This flexible and creative gesture fully demonstrates the importance of visual culture in contemporary society Has the vitality and possibility. These works convey to people a new kind of visual experience that has proved that the art of the image age will make the future in the opening of new visual boundaries