一早在当国内学者在20世纪末开始将海德格尔“存在论”思想当作“创新”马克思主义美学、文艺学“本体论”研究的“转向”契机之前,这种“存在论”的危险及其致命的理论缺陷在20世纪60年代就已经引起了“批判理论”的警惕和深入的反思。对这一历史文献的回顾也有助于我们批判地 Early in the day when domestic scholars began to take Heidegger’s “Existentialism” as a turning point in the study of “innovation” of Marxist aesthetics and literary theory at the end of the 20th century, the danger of “existentialism” and Its fatal theoretical flaw in the 1960s has aroused the vigilance and in-depth reflection of Critical Theory. A review of this historical document also helps us critically