自80年代后期以来,通俗文学在文坛上获得长足发展,从金庸古龙到琼瑶亦舒,从“痞子”王朔到“财”女梁凤仪,各自火爆了一阵又一阵.通俗文学的繁荣壮大引起了文坛的倾斜(文学创作大军逐步发生分化,严肃文学刊物纷纷转向),同时也因其发展过程中所出现的负面影响而招致非议.老作家姚雪垠从政治立场上对通俗文学的发展全盘否定:“现在的问题是,这几年背离了社会主义道路,以赚钱为目的,以庸俗、低级趣味的东西腐蚀了群众的灵魂,殖民地文化的糟粕融合到了一起.” Since the late 1980s, the popularity of popular literature has made great strides in the literary arena, ranging from Guanyong to Qiong Yao, and from “riffraffer” Wang Shuo to “Liang” (The gradual division of literary creation army and serious literary publications all turn to be opposite directions), and at the same time, it is also criticized for its negative influence in the process of development.The writer Yao Xueyin totally negates the development of popular literature from the political standpoint: The problem now is that in the past few years we have deviated from the socialist road to make money. We have eroded the souls of the people with vulgar and vulgar things, and we have brought together the doldrums of the colonial culture. "