理性与感性:中国当代艺术的双重面貌

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在当代艺术领域中,经过数月的征集遴择,特为广大藏家甄选出众多在中国美术史上,极为重要的代表作品。并以中国观念艺术、学院经典与写实、当代绘画性的探索等多角度的脉络为线索,力求最大限度的呈现出在美术史的长河中,每一朵灿烂的光华。理性:中国重要观念艺术观念艺术,兴起于二十世纪60年代中期的西方美术界。中国的观念艺术大多起于85新潮之后,借助西方现代艺术的观念,以先锋的姿态,冲击着中国社会对创作自由的束缚和桎梏,并在劈开政治公里和文化痼疾的坚冰同时,拓展出更为多元并进的艺术格局。谷文达创作于1985年的《两种文化形态杂交的戏剧性B1-B3》, In the field of contemporary art, after a few months of solicitation and solicitation, it has been specially selected by the vast collection of collectors as the most important representative works in the history of Chinese art. With clues from multiple perspectives, such as conceptual art in China, classic and realistic school, and contemporary exploration of painting, the painting strives to maximize the magnificent glory in the long history of art history. Rationality: the concept of the Chinese concept of artistic concept of art, rose in the mid-1960s Western art circles. Most of China’s conceptual art started with the trend of 85. With the concept of western modern art, with avant-garde gestures, China’s concept of art has impinged on the shackles and shackles of Chinese society for freedom of creation. At the same time, it has expanded its political and cultural hardships, A more diverse and progressive art landscape. Gu Wenda created in 1985, “the two cultural forms of hybrid drama B1-B3”,
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