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一面镜子,是一个极平常的东西。我们天天看它,只想到从它上面看到自己,此外,恐怕不会再想到更多的东西了。但诗人艾青笔下的《镜子》,却在可感的形象中隐寓着深刻的哲理,使我们通过镜子这个“平面”看到了“深不可测”的大千世界。文艺当然既可以描写一个波澜壮阔的历史画卷,也可以展示一个风平浪静的日常生活侧面,也可以对生活进行多层次、多系列的组合,也可以对生活作小场景、单角度的透视,但即使是描写一个小场景,也应该以少总多,因小见大,使人由一叶而知秋。事实证明,只有“显示特征的艺术,才是唯一其实的艺术”(歌德语)。艾青的《镜子》正是这样一首质
A mirror is a very common thing. Every day we look at it, only think of seeing itself from above. Besides, I am afraid we will not think of more things. However, the poet Ai Qing’s “The Mirror” conceals profound philosophies in the sensible image, making us see the “deep and unpredictable” world through the “plane” of the mirror. Of course, literature and art can both describe a magnificent historical picture. It can also show the calm side of daily life. It can also be a multi-level, multi-series combination of life. It can also be a small scene, a single-angle perspective, but even Describe a small scene, it should also be less than the total number of people, because of the small, large, so that people know from the leaves and autumn. Facts have proved that only the art of displaying characteristics is the only true art (German language). Ai Qing’s “Mirror” is such a quality