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上世纪八、九十年代,中国女作家的文学创作成为新时期文学中一个异常重要的维度,她们的成熟以及女性对时代和自身的奇特关照都赋予中国文学以新异的品格。而泰山女作家们,也以自己的创作实绩,参与着中国女性从“人—女人—个人”的现代化进程,呈现出一道靓丽的风景线。《泰山》杂志在2009年第三期推出了泰山女作家的专号,翻开一篇篇的作品,我特别惊讶于泰安女作者们的阔达的胸襟和视野。她们没有困囿在自我的狭小空间中,自怜自叹。而是对社会现实给予了广泛的关注,尤其是对社会底层人民给予了深切的关怀,显示了极强的社会责任感和使命感。这是一个作家的责任使然,这更是善良正义的公民良知的显现。白春玲的《枣花》、《黄瓜互助组》就是这样的作品。《枣花》笔触更为冷峻。即使是在21世纪,在我们中华传统文化和良知源远流淌了几千年的今天,依然会有
In the 1980s and 1990s, the literary creation of Chinese women writers became an extremely important dimension in the literature of the new era. Their maturity and the special care of women for the times and themselves all gave the Chinese literature a new and unusual character. The Taishan women writers also participate in the Chinese women’s modernization process from “people - women - individuals ”, showing a beautiful landscape. “Taishan” magazine in the third phase of 2009 launched a Taishan female writer’s special, open an article of the work, I am particularly surprised at the Taian woman’s breadth of vision and vision. They are not trapped in the narrow space of self, self-pity and sigh. But has given widespread attention to the reality of society. In particular, it has given deep concern to the people in the bottom of society and demonstrated a strong sense of social responsibility and mission. This is the responsibility of a writer, and this is even more the manifestation of the good and the good conscience of citizens. Bai Chunling’s “date flower”, “cucumber mutual aid group” is such a work. “Zaohua” strokes more solemn. Even in the 21st century, as our traditional Chinese culture and conscience flow for thousands of years, we still have