引言建筑设计者往往有一种习惯,就是认为建筑设计仅凭建筑本身的要素就足以让设计合理开始并完美结束,抑或沉迷于把一种设计理念或手法灌输于任何建筑上。其实,只要是服务于人的建筑,其设计都要受许多外在因素的限制,建筑师的任务相当一大部分就是处理好这些矛盾,化矛盾为力量,找到设计突破口,创造富有个性的建筑。有时,建筑设计就如同雕刻,并不一定直击主体,而是对坯材“旁敲侧击”,一个高水平的“雕刻”作品就会跃然出现。建筑师把设计中遇到的矛盾一一解决,一个鲜活的建筑就会跃 Introduction It is often the habit of architects to think that building design alone is enough to get the design to a reasonable start and a perfect ending, or indulging in inculcating a design concept or technique on any building. In fact, as long as the building is to serve people, its design is subject to many external factors, a considerable part of the architect's task is to deal with these contradictions, the contradiction as a force to find a breakthrough in the design to create personalized architecture . Sometimes, architectural design is like carving, and it does not necessarily strike the main body. Instead, it “beats the sideways” of the billet, and a high-quality “carving” piece of art appears vividly. Architects to solve the contradictions encountered in the design one by one, a living building will jump