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我国的戏曲表演艺术,虽被称谓世界三大表演体系之一,但在理论建设方面,却长期落后于舞台实践.最近出版的《戏曲表演概论》(河南人民出版社出版、作者刘伯奇),它体现着具有中国特色的表演体系,具有一定的理论价值.《概论》共分四大部分:一、演员篇,二、戏曲篇,三、创造篇,四、表演篇.一、演员篇.主要论述对演员的选拔、培养和训练.因为,什么样的剧种,需要什么样的演员.戏曲对演员的选拔、培养和训练,是按着戏曲的特点、原则和方法进行的,也只有这样的演员,才能胜任戏曲表演的任务.《概论》认为,应当从以下八个方
Although the performance art of opera in our country is one of the three major performing systems in the world, it has lagged far behind stage practice in theoretical construction. The recently published “Introduction to Traditional Chinese Opera Performance” (Henan People’s Publishing House, by Liu Boqi) Which embodies the performance system with Chinese characteristics and has certain theoretical value.The “Introduction” is divided into four major parts: one, actor, two, drama, three, to create articles, four, performance articles. Discussing the selection, training and training of the actors because of what kind of opera and what kind of actors are needed.The selection, training and training of the actors for the opera are based on the characteristics, principles and methods of the opera, and only Actor, in order to be able to perform the task of theatrical performances.The “Introduction” that should be from the following eight parties