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本文再次辨析了以莱辛为主的西方人提出的诗与画之关系的理论,深入厘清了一向以来为人所忽略的、中西方不同语境下的诗与画关系之差异。在此基础上,详尽地解析了中国古代绘画中三种“诗画合一”的方式,以及这三种“诗画合一”的方式产生的缘由及造成的结果。全文旨在针对中西方不同的语境,作诗与画关系异同之处的比较研究。
This dissertation analyzes again the theory of the relationship between poetry and painting proposed by Lessing, and thoroughly clarifies the difference between the poetic and the painting in the different contexts between China and the West. On this basis, this paper analyzes in detail the ways of combining three kinds of “poetry and painting” in ancient Chinese paintings and the causes of the three kinds of “poems and paintings combined with one” and the results they produced. The full text aims to compare the similarities and differences of the relationship between poetry and painting according to different contexts in China and the West.