新编秦腔古代戏《卓文君》在首都演出后,引起了很好的反响。卓文君私奔司马相如,是千古文坛佳话,骚人墨客的题咏自不待言,历代戏剧家也都不肯放过这一话题。但是,这同一题材在不同时代和不同作家手中,却被赋予不同的思想内涵。那么,在社会主义建设的新时期,人们希望看到一个什么样的卓文君,剧作家又是如何塑造这一形象的呢? 新时期的新编古代戏具有鲜明的时代特点,这些特点可以概括为对现代意识的强化和追求。尽管新编古代戏表现的是古代生活,但它毕竟是现代剧作家为现代观众所创造的,剧作家对题材的理解、把握和处理,必然要以他 New ancient opera “Zhuo Wenjun” performed in the capital, aroused a good response. Zhuo Wenjun run away Simaxiangru, is the story of the ages of ancient literary circles, Sao Wenmo inscriptions goes without saying, the ancient dramatists also refused to let this topic. However, this same theme has been given different ideological connotations in different times and different writers. So, in the new era of socialist construction, what kind of Zhuo Wenjun would people hope to see and how the dramatists shape this image? The new epoch of ancient operas in the new era has distinct characteristics of the times, which can be summed up To strengthen and pursue the modern consciousness. Although the new ancient drama shows the ancient life, but it is, after all, the modern dramatist created for the modern audience, the playwright understanding of the subject, grasp and handle, inevitably take him