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中国近现代美术史总是处在艺术与历史观念的张力之间,如果说西方美术的历史演变主要是西方社会内部交流和外部主动吸纳所致,那么近现代中国美术的演变更多的是外来影响的冲击和被动的固守或吸取所致,因此引入“他者”问题和跨文化比较,对中国近现代美术的研究是大有裨益的。文化相对主义方法的运用,能相对全面、客观、本质地探讨近现代中国画发展转型状况与文化情境的关系。
The history of Chinese modern art is always between the tension of art and history. If the historical evolution of western art is mainly caused by the internal exchange within the western society and the external initiative, the evolution of modern Chinese art is more exotic Impact of impact and passive sticking or absorption, so the introduction of “other ” issue and cross-cultural comparison, the study of Chinese modern art is of great benefit. The application of the method of cultural relativism can relatively comprehensively, objectively and intrinsically explore the relationship between the transformation of modern Chinese painting and the development of cultural context.