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胡一川的主题性作品,包括木刻和油画,有许多都是以“夜晚/灯下”为图像母题的。这个图像母题大约从他出狱后创作的木刻《牢房》(1936)开始,一直延续到他最后完成的一幅主题性油画《见矿》(1994),延续了半个多世纪。胡一川如此热衷于描绘夜晚的情形,这个图像母题对他来说是否有特殊意义?相同图像母题的作品之间是否有某种关联?本文尝试结合相关图像和文字资料对这个问题作一点粗浅的考察。众所周知,胡一川的艺术创作分为两个时期,
Hu Yichuan’s themed works, including woodcuts and oil paintings, many of which are based on the image “Night / Light”. The motif of this image, starting from the “prison cell” (1936) created after his release from prison, went on to his final themed painting “Mine See” (1994), which lasted more than half a century. Hu Yi-chuan so keen to portray the night situation, the image motif for him whether there is a special significance? The same image motif whether there is a correlation between the works? This article attempts to combine the relevant images and text information on this issue a little superficial Study. As we all know, Hu Yi-chuan’s artistic creation is divided into two periods,