清代画坛,文人画日益占据主流,山水画的创作以及水墨写意画法盛行,使笔情墨趣成了绘画的核心。它不完全脱离现实形象,却又大大有所超越了。受皇室扶植的以王时敏、王鉴、王翚、王原祁为代表的“四王”画派成为画坛正统,他们主张摹古,崇尚董、巨和元四家,画风影响了整个清代。下面就介绍几位深受“四王”影响的清代画家及其作品。 Qing Dynasty painting circles and literati paintings are increasingly occupying the mainstream. The creation of landscape paintings and the prevalence of ink-and-brush freehand brushwork have made the pen and ink paintings become the core of painting. It is not completely out of the real image, but it has greatly exceeded. The “four kings” painting schools, represented by Wang Shi-min, Wang Jian, Wang Kui and Wang Yuan-qi, which were nurtured by the royal family, became orthodox figures in the traditional painting scene. They advocated that Mogu, Dong, . Here are a few of the Qing Dynasty painters and their works affected by the “Four Kings.”