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日本平安期伟大诗人菅原道真(845-903年)的诗歌《九月十日》和中国唐代伟大诗人杜甫(712-770年)的诗歌《至日遣兴二首》,均为逐臣思君之作。道真的《九月十日》诗创作于昌泰四年(901年)九月十日,杜甫的《至日遣兴二首》创作于乾元元年(758年)冬至,时间相隔一个半世纪;道真的诗歌创作于日本的太宰府,杜甫的诗歌创作于中国的华州,创作地为异国异域。但令人注目的是,这两首异时异地创作的诗歌,无论是诗歌表层结构还是深层蕴藉的意象营造上都具有鲜明的同质性。具体体现为同韵、同语、同句式,及其共同作用下的同氛围、同主题等在各层次的、近乎全方位的同质。其表现是直接的、显性的、张扬的。
The poem “Sept. 10” by the great poet Kanpei Sugawara (845-903) and the poem “Duyou (rebuild by the sun)” by the great Tang Dynasty poet Du Fu (712-770) King made. Tao really “September 10” poem creation Yu Changtai four years (901 years) September 10, Du Fu’s “To the Revival of the first two” in the first year of Qian Yuan (758) the winter solstice, separated by a half century ; Taoist poetry was written in Dazaifu and Du Fu’s poems in Japan in China’s Huazhou, creating a foreign exotic. What is remarkable, however, is that these two poems created at different times have distinctive homogeneity both in the surface structure of poetry and in the image of profound implication. Specific embodiment of the same rhyme, tongues, the same sentence, and under the same atmosphere with the atmosphere, with topics such as at all levels, almost all-round homogeneity. Its performance is direct, dominant, publicity.