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《富矿》中“轮回”一词非常频繁,既是隐含在文本之中的时间轴概念,又反映了作者向优秀传统文化精神的向往与回归。而《后土》的目录无疑是个亮点:以惊蛰为序曲,以惊蛰作尾声,以二十四节气的变更来串联全文,按照二十四节气的时序推进,惊蛰、夏至、大暑、立秋、白露等节气更迭对应叙事时空的节奏变化,使得麻庄的一草一木,一人一景都随季节和气温的滑移成为真实可感的故事,既超越了传统乡土叙事的现实感和历史感,又充满着乡土文化气息与中华大
The word “reincarnation” in Bonanzui is very frequent, which is not only the timeline concept embedded in the text, but also the author’s longing for and return to the excellent traditional culture. The catalog of “Back Earth” is undoubtedly a bright spot: starting with Jingzhe as the prelude to ending with Jingzhe, with 24 solar terms changing to concatenate the full text, according to the twenty-four solar terms, advancing Jingzhe, the Summer Solstice, Dazu, Liqiu, Such changes in pace of change correspond to the rhythm of narrative time and space changes, making Mazhuo grass and trees, each with a scene and the temperature glide become a real and sensible story, both beyond the traditional native narrative realism and sense of history, And full of native culture and China University