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身为画家、雕塑家、工程师、建筑师和杂志编辑的安德烈·布洛克是一位不寻常的、多才多艺的人,虽然在他1 966年逝世后已被人们淡忘了许多。二次世界大战期间围绕着布洛克,法国美术界曾有过不少争议。1930年他创办了“今日建筑”杂志,立刻成为国际建筑界的焦点论坛;1949年又创办了“今日艺术”杂志.后于1954年更名为“今日”。这些杂志开创了一种艺术训练的新形式。五十年代,布洛克与德·马尔创立了“空间”小组,它主张艺术的综合性,这与Theo van Doesburg在二十年代提出的新造型主义相吻合,是对勒·柯布西埃功能主义的一种回击。布洛克非常关怀青年建筑师克洛德·帕朗,他们常共同合作。1959年帕里特在安蒂伯斯设计了布洛克住宅,1962年布洛克·帕朗与雅克·波利希进行了达卡剧场的方案设计,布洛克还是帕朗“伊朗馆”的艺术顾问(建于1963-65年,在巴黎城市大学)。
Andre Brock, an editor of painters, sculptors, engineers, architects and magazines, was an unusual and versatile person, although he had forgotten many after his death in 1966. During the World War II, surrounded by Bullock, French art circles had a lot of controversy. In 1930 he founded the “Today’s Architecture” magazine and immediately became the focus forum for the international architecture community. In 1949, he founded the “Today Art” magazine. Later in 1954 it was renamed “Today.” These magazines created a new form of art training. In the fifties, Block and De Mar founded the “Space” group, which advocates the integration of art. This is in line with the new modelingism proposed by Theo van Doesburg in the 1920s. It is a function of Le Corbusier. A kind of counterattack. Brock is very concerned with the young architect Claude Palang. They often work together. In 1959, Parritt designed the Brock house in Antibes. In 1962, Brock Parrung and Jacques Polich conducted the design of the Dhaka Theater. Brock was also the artistic consultant of the Iranian Pavilion in Parang. (built in 1963-65 at the City University of Paris).