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在中国山水画的创作中,画家对于色法、墨法、题法、图法都有了一定的规范,也取得了显著的成效。然而除此之外,构图也是中国山水画创作的重要环节,怎样通过巧妙地布置画面中所表现出的物象,将画家真实的艺术思想表达出来,就是画面构图所思考的问题。传统山水画与现代山水画在构图方面有明显的差别,这种差别不仅表现了传统山水画与现代山水画对于物象表现手法的差异化,更代表了传统山水画与现代山水画在审美上的变迁。本文在分析山水画的构图及构图展现的艺术审美特征的基础上,比较传统山水画与现代山水画的构图审美,以此探讨这种构图艺术审美带来的影响。
In the creation of Chinese landscape painting, the painter has certain norms for the color method, the method of Mohism, the method of questioning and the method of graph, and also achieved remarkable results. However, in addition, composition is also an important part of the Chinese landscape painting. How to express the artist’s true artistic thought through the subtle arrangement of the objects and objects in the painting is the question that the composition of the painting takes into consideration. The difference between traditional landscape painting and modern landscape painting in composition is obvious. This difference not only shows the difference between the traditional landscape painting and the modern landscape painting on the representation of objects, but also represents the aesthetic change of the traditional landscape painting and the modern landscape painting. Based on the analysis of the composition and compositional aesthetic features of landscape painting, this article compares the aesthetic effects of the traditional landscape painting with the modern landscape painting in order to explore the impact of this kind of composition art aesthetic.