本文拟以周作人在《人的文学》发表后,甚为重要的《本色》为考索起点,讨论其文学观与晚明文士的文艺倾向的共通性与承续脉络,以此证成周作人对晚明文学革新精神的转化与创新,不仅可见晚清至五四时期对晚明时代的一种投射和想象,更标志了周作人于当时代的文学、思想、民俗等领域上的特殊性与重要地位。 This article intends to use Zhou Zuoren’s “human literature” was published, the very important “color” as the starting point for the test, to discuss the literary perspective of late Ming literati and its literary tendency commonality and inheritance context, as a card The transformation and innovation of late-Ming literature’s innovative spirit not only shows a kind of projection and imagination of late Qing Dynasty from the late Qing dynasty to the May Fourth period, but also marks the special of Zhou Zuoren in the fields of contemporary literature, thoughts and folklore Sex and important position.