1980年代以来,随着城市文学的发展,城市之于文学不再局限于作为空间背景隐现在文学话语中,而是作为主体在文学中有了较为清晰的面目。文学该如何观照城市才能展现其最为丰富的想象,已经是文学研究应该慎重思考的问题。诚然,日常景观中当下的城市外观日趋同质化(1),钢筋水泥的现代城市建筑渐渐抹去了城市曾经的历史记忆;民间口头相传的城市传奇也在消费时代的嘈杂声中渐渐暗哑、失传。对此,库哈斯“通用城市”(2)的寓言日渐变得真实而普遍。廖咸浩曾问“城市的白日 Since the 1980s, with the development of urban literature, the urbanization of literature is no longer confined to being hidden in literary discourse as a space background, but has a clearer face as a subject in literature. Literature how to look at the city in order to show its most abundant imagination, literature research is already a matter that should be carefully considered. It is true that the current appearance of the city in the daily landscape is increasingly homogenized (1). The modern urban architecture of reinforced concrete gradually erasing the historical memory of the city; the folk legend of the city is also dull in the noisy voice of the consumer age , Lost pass. In this regard, the parable of Koolhaas ”Universal City “ (2) has become more and more real and widespread. Liao Xianhao once asked ”the city’s day