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艺术作品的创作过程会受到来自于作品本身内存和外在解释的干扰,影响艺术创作的产生过程。艺术具有“非科学”的特点,本文试图比较作品的主、客体描述与作品创造之间的种种关联情况,寻找艺术家创作过程的种种可能性。引入利奥塔的现代艺术理论,从元叙事角度解释了古典艺术“宏大叙事”的瓦解,及现代艺术所面临的问题。从先锋艺术的创新引入到当下艺术创作本身所处的关键问题:从不表现性到表现不可表现性的创作,描述过程中的游戏原则。最后从“原型”与“摹品”的关系引伸到一般绘画的“个性”问题,创造问题。
The creative process of a work of art can be disturbed by the internal memory and external interpretation of the work itself, affecting the creation process of the art. Art has the characteristics of “non-science”. This article attempts to compare the various relationships between the subject and object description of the work and the creation of the work and find out the possibilities of the creative process of the artist. The introduction of Lyotard’s theory of modern art explains the disintegration of the “grand narrative” of classical art and the problems faced by modern art from the perspective of meta-narration. From the innovation of avant-garde art to the current art creation itself is the key issue: from non-performance to non-expressive creation, describing the process of game principles. Finally, from the “prototype” and “copy” the relationship between the extension of the general painting of the “personality” issue, create problems.