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内地听众对于新疆音乐的认识还停留在上世纪七十年代末、八十年代初的水平上,艾尔肯觉得自己有义务把现代的新疆音乐介绍给大家。
Mainland listeners’ understanding of Xinjiang music still stays in the level of the late seventies and early eighties of the last century, and Alken felt obliged to introduce modern Xinjiang music to everyone.