自青海大通舞蹈纹彩陶盆出土以来,众多学者针对该盆的舞蹈纹图像所做的大量研究论题,涉及到巫术舞蹈、原始服饰、祭祀礼仪、生殖崇拜、求偶舞蹈等。本文是在已有的研究基础上,回到最初的发掘资料,对该盆多个图像进行整体研究,探讨了不同图像之间的构成形式、组合内容及涵义。通过对青海大通舞蹈盆图像的分析,力图将史前先民利用图像表达思想的做法清晰地展现出来。以说明史前艺术之所以能表现远古社会形态,是由于艺术在起源之初,除了具有本元文化的特征之外,更多地承载了远古社会人类文化的丰富内涵,而且它具有表达实际意义的功能,这为人们从中探寻远古社会的种种秘密提供了可能。 Since the unearthed pottery basin in Datong dance of Qinghai Province, many scholars have done a great deal of research on the dance pattern images of the pots. They involve witch dance, primitive costumes, sacrificial rites, reproductive worship and courtship dance. Based on the existing research, this paper returns to the original excavation data, studies the multiple images of the basin comprehensively and explores the composition, composition and meaning of different images. Through the analysis of the images of Datong Dance Troupe in Qinghai Province, it tries to show clearly the prehistoric ancestors’ use of images to express their thoughts. This shows that the reason why prehistoric art was able to express ancient social forms is that art, at the beginning of its origins, carries more rich connotations of the human culture in ancient societies in addition to the features of its own culture, and it has practical meanings Function, which provides the possibility for people to explore the secrets of ancient society.