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南希·斯佩罗(Nancy Spero,1926-2009年)无疑是一位反传统的女性先锋艺术家,在抽象主义、极少主义和观念艺术流行的时代,她游离于主流之外,采用象征主义的方式创作,通过精致的手绘、拼贴和建筑装置来探讨女性问题。斯佩罗的作品一直被时代所忽视或边缘化,她始终坚持在男性主导的世界中宣示女性价值,其作品所展现的不是女性的个体特性,而是广泛女性角色与经验的典型集合。艺术家用这种方式保持女性的挑衅姿态,不顾自身的状态或处境,竭力颠覆长久以来的男权准则,
Nancy Spero (1926-2009) undoubtedly is an anti-traditional pioneer artist of women. In the era of abstractionism, minimalism and conceptual art, she deviated from the mainstream and adopted symbolism , And explore women’s issues through exquisite hand-painted, collage and architectural installations. Her works have always been neglected or marginalized by the times. She always insists on declaring women’s values in a male-dominated world. His works do not show the individual characteristics of women but rather the typical collection of a wide range of female characters and experiences. In this way, the artist maintains the provocative gestures of women and, in disregard of their own state or situation, endeavors to subvert the long-established patriarchal principles,