“角色的生活不是仅仅出现在舞台上,在演员自己的生活中,你的周围发生任何一件事情,你都应该尝试着以角色的身份去接触,这样角色就永远伴随着你……”库里涅夫专家在下课之前这样嘱咐着我们。我们(中央戏剧学院表演干部训练班)排练“暴风骤雨”已有一个时期了,每个角色都已经寻找到了自己的行为逻辑,同时也能相信舞台上特定的规定情境;一般都能比较恰当地完成舞台任务了。但是一个活生生的形象出现在舞台上,仅仅依赖剧作家所提供的生活(也就是角色的舞台行为)还是不够的,必须 “The character’s life is not just on the stage. In the performer’s own life, anything happens around you. You should try to contact as a character, so the character will always be with you.” Rie Neff experts charged us before get out of class. It has been a time since we (rehearsal for performance training at the Central Academy of Drama) rehearsed the “stormy” and each character has been looking for his own logic of behavior and at the same time being able to believe in the specific set of situations on the stage; generally, it can be done more properly Stage mission. But a vivid image on the stage, relying solely on the life provided by the playwright (that is, the role of the stage behavior) is not enough, it is necessary