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诗歌的情感性最为突出,但是乾隆诗坛却出现了“抑情”与“尊情”两种区别明显的审美价值取向。“抑情”的主要代表是沈德潜和翁方纲,其主要局限是:在“抑情”观念影响下的诗人和诗作,无论是情感的真挚还是思想的深度,都流于平庸显浅;而且不自觉地在一定程度上成为庸俗士风甚至庸俗文学思想的支持;更为可惜的是,中国诗坛可能因此而埋没了众多名家。“尊情”的主要代表是袁枚和黄仲则,其主要价值是:在文化高压下依然敢于大张“情之旗帜”,秉持进步的人性论,倡导并实践了自然人性和真情的抒发;诗作明显具有了近代民主思想的端倪;真正张扬了诗歌的本质。
The emotion of poetry is the most prominent, but the poetic values of Qianlong ’s poem have obvious differences between the two. The main representatives of “Passion” are Shen Deqian and Weng Fanggang. Their main limitations are: the poets and poems influenced by the concept of “paranoia” flow into mediocre shallowness; neither do they consciously To a certain extent, it has become the support of vulgar genres and even vulgar literary thoughts. What is even more regrettable is that the Chinese poetry world may have buried many famous people. The main representatives of “respect” are Yuan Mei and Huang Zhong-zai. Their main values are as follows: under the high culture pressure, they still dare to open up the banner of “love”, uphold the progressive theory of human nature, advocate and practice the expression of natural human nature and truth; The clue of modern democratic thought; the true publicity of the essence of poetry.