《风筝》一文对探寻鲁迅心理结构具有不容忽视的价值。《风筝》隐含了鲁迅自我人格的分裂结构。作为叙述者的“我”与被叙述者的小兄弟实际上代表了自我的两个既对抗又互为依存层面：前者是纠缠不脱的无意识层面即先验性的罪性存在的人格化呈示；后者则是被压抑、被摧残、被牺牲的孤独感和虚无感的展露，从中透射出鲁迅在自我生存困境中对个体存在意义的悲剧性体认。而贯穿本文的“风筝”意象为我们理解《风筝》拓展了一个新的审美空间。 　　 The article “Kite” can not ignore the psychological structure of Lu Xun. “Kite” implies the split structure of Lu Xun’s own personality. The “I” as the narrator and the little brother who is the narrator actually represent the two antagonistic and interdependent levels of the ego: the former is a personified representation of the unconscious level of entanglement, that is, the transcendental sinful existence; The latter is a depressing, devastated and sacrificed loneliness and nihilism, revealing the tragic recognition of the existence of Lu Xun in the predicament of self-existence. The “kite” image throughout this article has expanded a new aesthetic space for us to understand “kite”.