既有儒雅气质,又有庙堂风范,以拙朴表现浑厚之气,以绵里裹铁表达劲挺之态。如果把清代的书法发展分成早、中、晚三个时期的话,那么,清代乾、嘉年间就是清代书法发展的中期。这个时期,一方面延续着清代早期帖学的发展;另一方面碑学也在乾嘉学风的影响下应运而 Both refined elegance, but also the temple style, with a solemn performance of the vigorous gas, wrapped in iron to express the strong stand in the cotton. If we divide the development of the calligraphy in the Qing Dynasty into three periods of early, middle and late Qing dynasties, then the period between the Qing dynasty and the Jia dynasty will be the middle period of the calligraphy development in the Qing Dynasty. During this period, on the one hand, it continued the development of post-qing studies in the early Qing Dynasty; on the other hand,