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鱼在中国传统神话思维中是灵魂不死的象征,能够帮助亡者渡过阴间的黄泉之水飞升仙界,而金芭塔丝所倡的“女神文明论”从比较神话学视角,为考证《山海经》鱼妇神话原型提供了新的参照。近年来,考古新出土玉鱼、玉衣、鱼车出行画像石等大量文物,借助于物与图像两种叙事形式,考释“鱼妇”神话原型既象征指引亡者抵达昆仑仙境追随西王母的鱼女神,又象征庇佑亡者灵魂回归其母腹进而实现生命再生的鱼女神。与西方文明的不同之处在于,玉作为中国神话中贯通天地、象征不死的神物,使得鱼妇神话追求死而再生的表述意义愈加凸显,玉石神话信仰已经成为华夏文明核心价值观传播的驱动力所在。
Fish in traditional Chinese mythology is the symbol of immortality of the soul, can help the dead cross the hellish waters of the Yellow River Soaring, and Kim Bata Si advocated “Goddess of Civilization” from the perspective of comparative mythology as a textual research “ Shan Hai Jing ”fish mythology prototype provides a new reference. In recent years, archaeological unearthed jade fish, jade, fish car travel stone and other large number of artifacts, with the aid of objects and images of two narrative forms, the interpretation of the “fish woman” myth archetypal symbol of the deceased arrived in Kunlun Wonderland to follow the Queen’s Fish goddess, but also a symbol of the souls of the dead to return to their motherhood and then the realization of the fish goddess of life regeneration. The difference with Western civilization lies in the fact that jade, as a Chinese mythology, runs through the world and symbolizes the immortal god, making the expression of the myth of fish woman pursuing death and regeneration more and more prominent. The jade myth belief has become the driving force of the spread of the core values of civilization in China Where you are.