作为一部城市女性主题短篇小说集,蒋一谈的新作《栖》至少从两个方面激起了我的想象,首先是女人,其次是男作家写女人。这会让人联想起鲁迅的经典讽喻:中国人看京剧,不仅是看女人,更重要的是看男人扮演女人。但我是在完全正面的意义上来理解蒋一谈的这种写作意图的,女人写女人固然有心理的契合和身份的认同, As a collection of urban women’s short stories, Jiang Yi’s new book “Habitat” aroused my imagination in at least two ways, first of all by women and second by writers by male writers. This is reminiscent of Lu Xun’s classic allegory: Chinese people watch Peking Opera not only looking at women, but more importantly, seeing men playing women. However, I fully understand Jiang Yi’s intention of writing in a totally positive sense. Although women write women in a psychological way and in identity,