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明代戏曲,继承了宋、金、元各个时期的丰厚艺术传统,踵事增华,日趋蓬勃。其时,戏班及流散艺人的演唱遍及城乡,酬神娱人,逢时应景,唱戏成了人们文化生活的一个重要方面。这里,着重介绍明崇祯刊本的舞台常演赛愿戏(神功戏)楹联。由此可以窥知三百多年前戏曲的演出频繁,题材的丰富多样。这些楹联各自概括
The drama of the Ming Dynasty inherited the rich artistic traditions of Song, Jin and Yuan dynasties. At that time, the troupe and the soloists performed their singing all over the urban and rural areas, rewarded the God of entertainment, and responded to the scenes. Singing became an important aspect of people’s cultural life. Here, highlighting Ming Chong Zhen’s stage often play match (God function drama) couplets. From this we can see more than three hundred years ago, the performance of the drama is frequent, rich and varied subject matter. These couplets summarize each