演戏讲究扮相,扮相好,能吸引观众看戏;教书要讲究教态,教态好,能激发学生的学习兴趣。 鲁迅先生的《从百草园到三味书屋》一文中写的私塾先生,虽然是“本城中极方正,质朴,博学的人”,是“渊博的宿儒”,受人“恭敬”。但他上课时,对学生喊:“读书!”自己也念书。每念到自己喜爱的句子时,便仰起头,摇晃着,“向后拗过去,拗过去。”学生见先生独自陶醉在文章中,他们也不再读书了。于是便有“用纸糊的盔甲套的指甲上做戏的”,有“画画儿”的。现在看来,这位先生的教态实在很独特,他不顾学生的反应,也不管教学的效果,现在再没有一位教师会这样上课了,但却 Performing plays pay attention to appearance and good appearance, which can attract audiences to watch the opera; teaching should pay attention to teaching style, good teaching style, and stimulate students’ interest in learning. Mr. Lu Xun’s “From Baicaoyuan to Sanwei Bookstore,” written in the article, is “very square, simple, and knowledgeable person in the city,” and is a “big brother” and is “respectful.” But when he was in class, he shouted to students: “Read!” Every time he reads his favorite sentence, he looked up and shook his head. “You leaned over and licked it back.” The students saw him alone in the article and they stopped reading. So there was “playing on the nails of the armor of paper paste,” and there was “painting.” Now it seems that the gentleman’s teaching is very unique. He does not care about the student’s reaction and regardless of the effect of teaching. Now no one teacher will do this, but