魏晋重情的时代风气促使诗歌中出现了主体情感笼罩、充满在客体物象之上的言情慷慨的主观性意象 ,它表现为强烈的主观情感对物象的拟人化改造和情感对意象组合的直接驱动与构结。与此相对的则是主体情感蓄敛、隐潜在客体物象之中的巧构形似的客体性意象 ,在客观性意象中 ,诗人尊重物象自身的生命特征 ,物象吸收、融化了情感 ,对一泻无余的情感冲击力加以形式化的审美节制与缓冲 ,形成诗歌意象浑融含蓄的审美空间 The prevailing ethos in the Wei and Jin Dynasties prompted the emergence of a subjective image of the romance of the subject in the poetry, which is characterized by a strong subjective emotion and the direct drive of emotion on the image combination Construct. On the other hand, the objective emotion is the objectified image of the subjective emotions, in which the poet respects the object’s own life characteristics, absorbs the image, melts the emotion, Formal emotional impact to be formalized the aesthetic control and buffering, the poetic image of inclusive aesthetic space