无须否认也无可否认，我们国家的电影是处于跨国资本主义时代的第三世界国家电影，它们自然而然地被西方世界指认为民族国家形象和民族国家寓言。电影工作者，尤其是非主流的电影创作者，顺理成章地被视为讲述民族文化和民族历史寓言的艺术家。除了第三世界电影国家文化产品能? It is undeniable and undeniable that the movies of our country are third-world state films in the era of transnational capitalism. They are naturally regarded by the Western world as the image of a nation-state and the allegory of a nation-state. Filmmakers, and especially non-mainstream filmmakers, are logically seen as artists who tell the story of national culture and national history. In addition to the third world movie national cultural products can?