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说到传统笔墨,人们脑子里可能更多的是一些模式化的东西。传统中国画走向何方,一直是业内人士探讨的话题。大家似乎容易陷入笔墨中而无法自拔,不敢越雷池半步。所以有许多人批评徐悲鸿,这也是一个很正常的现象。更有甚者宣称笔墨等于零。能说出这种话的人有两种——一种是完全不懂传统,完全不懂笔墨;另一种是对传统有相当深厚的把握之后又反其道而行之,比如吴冠中。对于传统的热爱,似乎跟时下的网络新新人类关系不大。或者许多人
When it comes to traditional writing, there may be more stylized things in people’s minds. Where traditional Chinese paintings go has always been the topic of discussion in the industry. Everyone seems easy to fall into the pen and unable to extricate themselves, do not dare to move more than half a thunder. Therefore, many people criticize Xu Beihong as a normal phenomenon. What is more, the pen and ink equals zero. There are two kinds of people who can say such things: one is completely ignorant of tradition and totally ignorant of writing and ink; the other is that they have taken a very backlog of traditions with quite deep mastery, such as Wu Guanzhong. For the traditional love, it seems that with the current new network of new people is not. Or many people