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水彩画从西方引入中国后,经过水彩画家长时间的创新和实践,形成了具有东方审美特征的中国水彩画。这种审美特征在内容和形式上体现为自主取舍性和朦胧艺术美感两个方面,既包涵了水彩画的内容、题材以及素材等方面,同时也涵盖了水彩画的构图形式、画面布局等方面。文章以中国水彩画为研究对象,通过对比研究、举例论证等方法,探究我国水彩画的审美特征,指出我国当代水彩画是扎根于我国传统文化中而形成的、具有东方审美特征的水彩艺术,新时期的水彩画创作应当在继承传统的基础上不断创新。
After watercolor was introduced into China from the West, watercolor painters have made innovations and practices of their parents for a long time, forming a Chinese watercolor painting with oriental aesthetic features. This kind of aesthetic characteristic embodies the aspects of self-determination and obscure art aesthetics in terms of content and form, covering not only the content of watercolor, the theme and the material, but also the composition form and layout of watercolors. The article takes Chinese watercolor painting as the research object, through comparative study and example demonstration, explores the aesthetic characteristics of Chinese watercolor painting, points out that contemporary watercolor painting in our country is rooted in traditional Chinese culture, and has the oriental aesthetic characteristics of watercolor art. In the new period Watercolor painting should be based on the tradition of continuous innovation.