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星海以辩证唯物主义为指导,在多篇音乐理论文章中,论述了真、善、美,中西音乐、内容与形式、民族性与国际性、普及与提高等一系列问题的辩证关系。内中的真知灼见,足以显示其理论家的素质。 1.真、善、美 星海在学生时代的文作《纪念曲的断片》中,已接触到音乐的善与美统一的问题,他在谈到贝多芬、己赫等大家的音乐时赞叹:“那至善至美的音乐固然值得你们去听,而且是伟大的人类的安慰者。”在《现阶段中国新音乐运动的几个问题》一文中,又涉及到真与善的关系:“我们要给大众好的东西,真实的东西;而不是愚弄或欺骗他们。同时也要站在他们前面,领导
Under the guidance of dialectical materialism, Xinghai discusses the dialectic relations of a series of issues such as truth, goodness, beauty, Chinese and Western music, content and form, nationality and internationality, popularization and promotion in many music theory articles. The insight in the book is sufficient to show the quality of its theorists. 1. True, Good and Beautiful Xinghai has come into contact with the issue of the unity of the good and of the music in his student-era essay “The Fragment of the Memorial Song.” He praised the music of Beethoven, “The flawless music is certainly worth your while, and it is a great human comforter.” In his article “Some Issues on the New Chinese Music Movement at this Stage,” it also relates to the relationship between true and good: "We To give the good things, real things; not to fool or cheat them, but also to stand in front of them, lead