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20世纪后半叶,尤其是80年代,我国的油画经历了一个繁荣活跃期,其特点是随着改革开放的深入,许多画家有机会看到外面的精彩世界,也有机会接触到外国的艺术,加之对文革多年束缚的反弹,于是迅速掀起一股学习西方艺术的高潮,史称“85新潮”。时至今日,纵观中国画坛,可谓画家众多,作品丰富,风格多样,似乎呈现出一种极其繁荣的可喜景象。不可否认,当今绘画在量上已经取得了很大的成绩,但也不能否认我
In the second half of the 20th century, especially in the 1980s, the oil paintings in our country experienced a prosperous period. With the deepening of reform and opening up, many painters had the opportunity to see the wonderful world outside and have access to foreign art. Coupled with the rebound of many years of restraint on the Cultural Revolution, it quickly set off a wave of learning Western art, known as “85 New Waves.” Today, looking at the Chinese painting scene, it is said that there are many painters, rich works and diverse styles, which seem to present a gratifying picture of prosperity. Admittedly, the amount of painting in today’s painting has made great achievements, but it can not deny me