“读图时代”存在着一场不见硝烟的图像对文字的“战争”,文学被众多的导演放逐,人们越来越重视电影的视觉效果,而忽略其必不可少的叙事艺术,部分电影作品过分追求感官刺激,迎合庸俗低级趣味,致使电影文化中暴力和色情泛滥。随着文化艺术商品化和产业化的发展,“唯美化”的形式主义倾向不再是纯粹的艺术追求, 而成为谋求商业利益的电影策略,从而陷入某种危机。面临这些危机,电影必须从文学中汲取精华,才有可能走出窘境,重获生机。 There is a “war” in the image-reading era when no image is seen. The literature is exiled by many directors. People pay more and more attention to the visual effects of the movies while ignoring their indispensable narrative art. Some films Excessive pursuit of sensory stimulation, vulgar vulgar taste, resulting in violence and pornography film culture. With the commercialization and industrialization of culture and art, the “aesthetic” formalist tendencies cease to be a purely artistic pursuit and become the movie strategy of pursuing commercial interests, thus falling into a crisis. Faced with these crises, the film must learn from the essence of literature, it is possible out of the woods, regained its vigor.