一幅书法须有整体之妙。整体之妙在于风神。书法应就字取形,各尽其妙,需平则平,当斜则斜。写字应笔画照应,顾盼生情,此理不可失也。书法宜从奇险中落笔,于浓厚处化淡,画亦然也。邓石如的书法长于技术性,而弱于艺术性。他的功力很深,用笔精到,但总觉缺乏天趣。 A calligraphy must have the whole wonderful. The whole thing is that Aeolus. Calligraphy should take the shape of the word, the best of their own, to be flat and flat, when the ramp is oblique. Writing should be based on strokes, look forward to the passion, this principle also. Calligraphy should draw from the extraordinary risk, in the thick Department of light, painting is also true. Deng Shiru’s calligraphy is longer than technical, but weaker than artistic. His skill is very deep, with a fine pen, but always feel lacking in nature.