作为国画十三科之一的界画,犹如生活在宫宇楼阁中的贵族淑女,端庄严谨,举止高雅,不肯多行一步,不肯多发一言。这样的比喻自有一份妙趣,可是妙趣的背后却摇曳着一条浩浩荡荡的历史长河。界画乘坐着孤舟一叶,在这长河中踽踽独行,向着每个有心与之结缘的人,踏浪而来。 As one of the thirteen subjects of Chinese painting, it is like an aristocratic lady living in a palace palaces, dignified and graceful, refusing to go one step further, refusing to say anything more. Such a metaphor has its own fun, but the back of the fun is swaying a mighty history. Bordering the lonely boat on the map, loners and lofty beings in this long river come to each of those who are bound to love.