自从晚清“文学立科”以来,在过去百余年间的中国,大概没有任何一个时期的“文学批评”像当下这样“繁荣”——不仅每年都有数量十分巨大的批评文章与著作问世,而且一支规模已经相当可观的“职业批评家”队伍还在不断地急速扩容。曾有论者指出,当代文学的危机不在创作,不在传播,而在阅读。尤其是在传统文学的部分门类中,甚至一度出现了“作者”多于“读者”的尴尬局面。在这一情形下,学界与文坛 In the past hundred years or so since the late Qing Dynasty, there has not been any “literary criticism” in China in the past hundred years like the present “prosperity” - not only is there a huge number of Criticism of articles and books come out, and a scale has been considerable “professional critics ” team is still constantly rapid expansion. Some critics have pointed out that the crisis of contemporary literature is not creation, is not spreading, but reading. Especially in some categories of traditional literature, there even appeared an awkward situation of “author” more than “reader”. In this situation, academics and literary circles