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茅盾近十年来可谓饱受争议。本文择取其早期小说《蚀》作为言说与论证的文本,但无意再去重读其中的是是非非,而要特别指明在其创作过程中,一种本源性的虚无感弥漫于小说的字里行间,虚无思想和虚无精神始终伴随着在1927年政治遇挫后的茅盾。那么虚无思想、虚无精神如何诱发、开启了茅盾的创作之门?如何在作品中涂抹、铺展、弥漫、纠结?茅盾又是怎样通过文学创作来治疗自己的精神抑郁和心理创伤?文学创造与虚无思想的内在关联是什么?这是本文致力于解决的一连串相关的学术问题。
Mao Dun is arguably over the past decade. This paper chooses the early essay “Eclipse” as the text of argument and argument, but does not intend to re-read the text of which is right and wrong, but to specify that in its creative process, a source of nothingness pervades the lines of the novel, Nothingness and nihility are always accompanied by Mao Tun after the political defeat of 1927. How to induce Mao Dun’s creation? How to smear, spread, diffuse and tangle in the works? How Mao Dun treated his mental depression and psychological trauma through his literary creation? Literature creation and nihility What is the intrinsic relationship between thoughts? This is a series of related academic issues that this article is devoted to solving.