自画像作为艺术家陈述生命的一种叙事手段,从以传统绘画技法为手段的古典的架上到以科技为技术支持的当代,不变的是画者为双重参与者的身份,在画面内外都在进行着自我的审视。萨特的存在主义哲学、现代与后现代的“荒诞”的讨论,社会现实与乌托邦、当代的摄影观念与技术多重参与构成画面的设计与叙述等,都成为文章讨论的问题。 As a kind of narrative means for artists to narrate life, self-portrait, from the classical shelves with the traditional painting technique as the means to the contemporary with the technical support, invariably the identity of the artist as a double participant, both inside and outside the picture Self-examination. Sartre’s philosophy of existentialism, modern and postmodern “absurd” discussions, social reality and utopia, contemporary photography concepts and technical multiple participation constitute the design and description of the screen, etc., have become the subject of discussion.